#like i know it's there but this particular photo

[boxturret]

2003, The Era of Sport, The Era of the Hockey Men

I'll be honest, I wanted to do a big multi part write up in a similar vein to the one I did on the Bohrok Pens, but after getting all the sets in hand I just...didn't have much to say about them. I took a ton of photos but when it came to actually putting a post together I just wasn't having any fun, felt like I'd end up reciting set numbers and other things that anyone can look up on other sites, so screw it. In no particular order, here's my rambling thoughts about the 2003 Bionicle Hockey sets:

They're okay.

Function

The spring part at their core is neat, it's bidirectional, so both ends of the spring are set up in such a way that when its rotated it will return to centre.

There are two configurations of hockey men, they all use the same basic functional parts:

The first kind mounts the spring vertically and by pushing on the head the stick rotates slightly

The second one mounts the spring horizontally and pressing the head swings the stick in a wide arc.

There's four different kinds of sticks, two for each configuration.

Each has a different shape to it to affect how the hockey puck is hit, but in practice the horizontal mount is by far the more powerful of the two.

This one fires pretty straight.

This one is curved so it kinda flicks the puck in the air.

This one destroys everything in its path.

And this one is pretty much the same, but with a slight bend in it.

And that's it really. Despite there being 8 different hockey men across all the sets, there's only those four configurations.

When looking at some of the parts, like the spring and the base, I saw how they were mirrored, and was hoping that maybe you could reverse the mechanisms at the very least, but nope.

Sadly the main wedge parts are chiral, so they can't be flipped around. Which seems rather a shame, having left and right handed hockey men would have added some variety.

Masks

On the topic of variety, one of the more interesting aspects of the hockey men is the masks. This was really the reason I got them. I'm really in to the pre-Bionicle idea of Voodoo Heads, and some of these masks seem like they would have fit in well with that theme.

The hockey men actually use a Tohunga head, the same as in the 01 Bionicle sets, but in light grey. So their masks are completely compatible with Bionicle.

The way they were released though was very odd.

There's 7 different masks, which works out perfectly for the number of sets, 4 canister sets, a two pack, a mess, and the omni man who can be anything you wish:

The masks were on sprues, three to a wheel. The first row of three was on one, the second on another. The seventh mask was released on its own.

What's so odd about the sprues is how...different they are.

The first one has a much thinner wall to the ring, there's no support spokes, and the masks are supposed to be held together with a little 3 pronged bit of plastic in the middle, though none of the ones I got had that part in place. In fact, one sealed set I got that was supposed to come with this ring just had the masks loose, with the bit of plastic along with them. Note how the masks all have horizontal parts jutting out from the mouth peg, that slots in to the mouth of the Tohunga skull, just like a Bionicle mask would.

The second wheel is much thicker, with additional supports along the edges, and three spokes holding everything in place. Now you'd think this would be a later revision, but look at the mouth pegs, they're lacking the parts that lock in to the mouth, meaning they're harder to align properly.

The seventh mask is lacking any sprue marks so I think it was done as a single part and has the side parts on the peg. Its also quite similar to one of the ones on the first sprue, so for a while I didn't know it was its own thing.

They're quite odd. Neat looking though.

Mess

Speaking of the seventh mask, here's the set it came with.

Its best described as a hot mess.

In theory its supposed to be a puck feeder, shooting pucks out for you to attempt to hit, but the motor is so weak, and the construction of the feeding mechanism is really prone to jamming.

It barely has enough power to get through the included pucks, which it just limply drops out of its ramp.

If that isn't good enough for you there's alternate instructions for a...thing instead.

Its super awkward to wind up, and you get seconds of a hockey stick shaped thing flailing around a bit, the bulk of the mechanism itself filling most of the goal on its own.

Its also even more susceptible to jamming than the first build!

Goals

Okay, back in to more positive things, the goal in that last set was a stripped down version of the goals that came in the two pack set, which I think are some of the better things to come from the theme.

Featuring lovely long red axles and a special net, they really look the part! shame about the blue friction split pins, this was right on the edge of when everything fell apart colour wise.

What's better is that if you got the big multi pack which came with the two pack and two of the omni-men, you also got the huge hockey rink base which had special tabs just for locking the goal in place.

The rink is a really cool thing, its made from this milky plastic and they printed everything on the back side, so the prints are viewed through the semi transparent plastic. This makes it look very authentic to how ice rinks really look (I'm Canadian I know these things).

Its huge though, it needs a lot of table or floor space. Its larger than toy hockey rinks, and is getting close to some smaller air hockey tables I've seen.

Couldn't even take a full photo of it easily.

You can fit all the major sets on it, but its pretty tight, but that doesn't really matter that much, as I don't think you'd be able to play the game like this at all.

Really I don't know how playable this game is, even with the rink, there's some sets that are purposefully designed to flip the puck in the air.

Combination Models

Speaking of flipping pucks in the air: the hockey Kaita. Okay I don't have a good link to this part.

I think these guys really highlight the weakness of this system. even when using parts from multiple sets the functions stay identical, the extra parts are just tossed on haphazardly.

Also, even though this one says its a combiner of those two sets, you can make it without touching any part of the second one.

It doesn't come though on this scan, but the face plates in these photos are clearly 3d printed.

Mini Guys

As is traditional, the theme also features several small sets. Its quite confusing as there's a lot of different versions, some come together, some separate, some in bags, some not, but at their core there's 6 figures, two pairs of each size class; large, medium, and small. The larger ones sometimes had goals, depending on the version.

The mini guys all have the same function, which honestly is pretty ingenious, using a Slizer foot to wedge the two feet beams apart on one side and snap them together on the other side to shoot the puck. Honestly its a bit more fun than some of the full sized sets.

The one issue is that hitting them too hard on the softer plastic of the armour piece does feel liable to bend it. Something to look out for, especially with the set exclusive yellow one.

That part came in a very wide array of colours in this one theme.

Female Bionicle M.O.C.s for decades after owe a lot to the hockey-men.

Bottle

And I guess to end things I'll briefly touch on the bottle. Much like the Roboriders and Bionicle sets, they came in canisters, in fact the threading is cross compatible between many of these various canisters.

The canisters always had a purpose, the Roborider's lids could be used in the combiners, the Toa's canisters were an important thing in the story, and the lids represented the suva and could store 7 masks, and the Bohrok canisters represented their hive and doubled as a way of displaying them.

The hockey canisters are functional water bottles.

The nub on top can be pulled out and drunk from. Its a fairly standard water bottle design, though I think more recently its fallen out of favour. the lid is lacking a gasket of any kind however, so the water tightness of this bottle is questionable.

Conclusion

And that's all I have to say about the hockey men of 2003. Turns out it was quite a lot, but it wasn't quite as comprehensive as I was intending. I took a lot of photos that I didn't end up using, so I'll put them all up on my drive HERE. In my attempts to get all the sets I just incidentally ended up with practically all the boxes and cans, which is pretty funny considering all the effort I went through to achieve the same for other themes.

Overall, they're kinda neat, interesting to mess around with a bit, but the system was really needlessly limited and some functions were quite lacklustre. If I had to give them a number ranking it would be an eight point three.

****

I'll leave this post on a bit of a mystery I'm not invested enough to get to the bottom of:

There's an odd amount of inconsistency between how the sets are depicted, whether its a straight image or doing this effect where its a single image projected across multiple screens. I got all the canister sets at once, and they all came with their instructions, so unless the person selling them was mix and matching them, which is possible but seems unlikely with the condition they were in, I have no clue what's going on here. Some match, some are one way, some are the other, its all very odd.

Well, have a nice day.

Ah yes! One last thing:

Like the Slizer boxes, the Hockey Men all come with a nice blank tile to write your name on.

Which is, I believe, a crime in oleg fan circles severe enough to warrant execution.

[rakhalofthestars]

Under His Bangs

Synopsis: Boothill finally lets you see what he's been hiding underneath his bangs.

Tags: Boothill x gn reader, established relationship, Boothill's backstory, fluff, light angst, hurt/comfort, soft Boothill <3 a/n: This fic is based off my headcanon on what I like to think is underneath his bangs :3

Warnings: Self depreciation and talks of appearance, Boothill might also be a bit ooc here :(

wc: 1 733

Many parts of Boothill’s appearance are striking, causing him to easily stand out in a crowd. Poor guy. Blending in was never his strong suit and his metal body makes it even more difficult. There just aren’t many cyborgs who looked the way he did. 

It’s not like Boothill ever tried to blend in much. Everything from his whole cowboy get-up to his boisterous personality screamed that he was someone who you wouldn’t want to forget about anytime soon. Not to mention the bounty on his head that had risen to the billions recently.

“Whatcha lookin’ at me like that for, darlin’? I ain’t even responsible for half the things these people be accusin’ me for! I mean, just look at me, ain’t I just the picture of a saint?” Boothill protested one time when you had shoved his wanted poster in his face. On the poster was a (admittedly good) photo of him with his signature shit-eating grin along with the sum of a whopping one billion credits stamped underneath.

You had sighed back then, knowing you can’t argue with him and in all honesty, you doubt he was actually responsible for the wares disappearing from a shop at Pier Point shopping street. Maybe the poor employee was really just trying to get out of listening to Karen complain their ear off. Considering the amount of trouble he’s caused at Pier Point for the IPC, it’s no surprise that Boothill made a long lasting impression on everyone there. 

That’s the thing about Boothill. Every part of him always left an impression. Whether the impression was good or bad really depended on whether you were with the “shirt bags at the IPC” as he liked to call it. 

Even though you had been traveling with the Galaxy Ranger for quite some time now, there was one aspect of his appearance that was constantly on your mind. His bangs. They were so mysterious and styled in such a way as well. 

Why were his bangs the only part of his hair that was fully black? Why did they cover his right eye? Was it a stylistic choice to cover his right eye and look like an emo? Or was there some other, more bigger reason behind covering part of his face like that?

The flurry of questions always swirled about in your head whenever you were with him. It almost made you dizzy at times. However, since you knew about all that the man had been through prior to becoming a cyborg, you kept quiet and never tried to pry. It didn’t go unnoticed by Boothill though, the curiosity that was always brimming in your eyes when they flicked momentarily to his bangs. He really did want to explain what was underneath. The problem was that he just wasn’t sure whether he was ready to open this specific can of worms.

But when something is meant to happen, the opportunity for it will naturally present itself.

You and Boothill were lying on the motel bed, simply basking in one another’s presence. It was one of those quiet nights where all you wanted to do was to just forget about your worries and relax.

Lying on the soft mattress with Boothill’s body acting as a sort of weighted blanket whilst his face was nuzzled in the crook of your neck, you really don't want to ruin this slice of paradise by asking about his bangs. Nor does he want to ruin that lazy little smile on your lips by revealing this particular skeleton in his closet.

Your hands roam about and glide over him mindlessly until your fingers are suddenly tangling themselves in his hair. You massage his scalp gently before bringing his face out of its little hiding spot in your neck. An uncharacteristic and borderline pathetic little whine sounds from Boothill’s lips but it’s forgotten as the crosshair in Boothill’s eye locks onto you, the tiny target in the middle forming into the shape of a heart because each and every time you caress his face, he swears he’s falling in love even more than he thought was possible. He has the most adorable little smile on his face but it falters when your hand strays just a bit too far, almost brushing his bangs away from his face. 

“I’m sorry, I didn’t mean to”, you apologize immediately and retract your hand, knowing that the fact that Boothill even allows you to touch him and his hair so freely is something that not many get and you’d hate to overstep his boundaries.

“...Naw, it’s fine. I ain’t mad, darlin’,” is Boothill’s reply as he brings your hand back to his face, already missing your touch. He places your hand right underneath his bangs and the look in his eyes tells you that it was no mistake on his part for the placement.

“Can I…?”

The man hesitates, something that you’ve rarely ever seen him do. He’s always so sure of himself, so confident with each and every single move of his. What could possibly make him hesitate?

“Yeah, go ahead”, Boothill finally says.

Despite the bit of excitement that’s bubbling within you, you don’t rush to see what’s underneath. You take your time, simply feeling the soft skin and watching how your partner looks on with anxiety but also affection. He wants to know- no. He needs to know how you’ll react. Even if it might hurt him. You’ve done so much for him. You’ve loved him, taken care of him, listened to him without any judgment and have been with him through the highs and lows of this chapter of his life as he navigates through depression, anxiety and this new robot body of his. You deserved to know.

With love and care etched into your movements, you slowly brush aside the black locks of hair that covered part of Boothill’s face. 

Under his bangs, was a big, dark burn mark that marred the area his hair normally covered along with a deep scar that ran vertically down his right eye, causing it to be shut tight. 

Silence permeated throughout the room as you drank in the sight and Boothill stared back anxiously, waiting for you to say something.

“Oh…”, you finally breathe out and the Galaxy Ranger winces.

His breath hitches and his left eye widens in disbelief. Beautiful? Was there something wrong with your eyes? He was tempted to ask but falls silent when you trace the darker flesh with reverent touches and bring his face closer to press the lightest kiss on top of his right eye.

“It’s hideous, ain’t it?”

“You’re so beautiful, Boothill.”

“You’re so very beautiful.”

“Well fudge…ya can’t just say that, sugar. Gon’ make a man cry”, Boothill mumbles, his gravelly voice cracking so subtly you could’ve thought that you imagined it. He had never exposed himself like this to anyone. He could count on one hand the amount of times he felt as vulnerable as he did now. 

“Why can’t I say it? You’re the handsomest man that I’ve ever seen. If you want to cry then go ahead, there’s nothing wrong with crying. But believe me when I say you’re gorgeous.”

“How could you ever find a bag o’ bolts like me beautiful?”

“These scars on your face…they tell stories of who you are and what you’ve gone through. I won’t force you to do anything that makes you uncomfortable but you don’t have to hide them. Not around me at least,” you whisper against his skin. Hidden in your words was an underlying plea that was only for him to hear. 

“Because you are. If I could, I’d let you see yourself through my eyes just so you could realize what a sight you are.”

With every word that passes your lips, you press soft kisses across his face, paying extra attention to the right side that he deemed “ugly”. It was as if your kisses were paint and his face was your canvas as he allows you to paint your love onto him. 

Please let me take your pain and shoulder it with you. Please let me shower you with the love that was robbed from you. Please don’t push me away.

A shuddering gasp escapes Boothill, the first sound that he’s made now in a while. He needs time and that’s what you give. You fill the silence with fond caresses and gentle kisses until the man finally manages to speak.

“Mah face wasn’t always like this, y’know. It was…on that night. When them cannons were falling down from the IPC…”, his voice cracks and he trails off. You wanted to know more but stayed silent, letting him take things at his own pace.

“I was runnin’ home, praying to every Aeon that I could think of at the time that everything would be all fine and dandy…Wasn’t really lookin’ where I was runnin’ and neither was I thinkin’ much about dodgin’ the bombs. A bit o’ burnin’ shrapnel fell on this side of mah face here and well…y’can see for yerself what happened.”

“When I went to that tech doc to get this here body of mine, I asked her to not do anythin’ to these scars. Maybe it’s stupid since I can’t stand to look at ‘em, but I just didn’t want to do away with ‘em. I wanted to keep ‘em, as a reminder of that night and what it is that I fight for. Not like I need much remindin’ but heh…y’know…”

Boothill lets out a small, bitter chuckle before burying his face back in the crook of your neck. He had long lost the ability to cry but he swore that if he continued to talk, he’d end up breaking down in front of you and that was something he wished to avoid.

All you can do now is to comfort him because the fact that he’s told you all of this means that yes, he will allow you to shoulder his pain with him. Yes, he’ll allow you to shower him with the love that he was robbed of. No, he won’t push you away. So continue with what you’ve been doing all this time. Continue to assure him of his beauty and his worth. Continue to love him because Lan knows how long he’s gone without it.

[qwerty019283ytrewq]

Parental custod

✨️Imagine✨️

Max rolls his eyes when he sees Jack making his way towards him during the drivers parade.

Don't get him wrong. He's glad that there are so many rookies on the starting grid, but he would trade them all for one particular person. It doesn't help that Jack looks too much like Daniel, with his accent, a little hairstyle, and a big nose. The wrong nose, the wrong hair, the wrong Australian that Max wants to spend time with.

"Hi Max!" says Jack, with too much enthusiasm and an awkward smile. "You...Listen, I'm sorry to bother you, but could you help me?"

He looks like Max is his only and last option. He could have turned to anyone. Lewis would have helped him for sure, and so would Fernando, but Jack came to Max. Max sighs, apparently not so well hiding his fatigue and unwillingness to help the Australian because Jack's facial expressions change. Now he looks like a scared kid in a mall who turned to a security because he got lost.

"Ya...I didn't want to bother you, but... Daniel doesn't answer my calls, and it seems that I write to him too much..."

Yes, he really is a lost child... a child whose "father" did not come to his first competition. Max's thoughts go back to the days when he himself followed Daniel, looking for every opportunity to talk to him, touch him. He was teased, called a "duckling," but Max was too blinded by this sunny man to somehow protect himself from attacks.

"How can I help you?"

✨️✨️✨️

Max returns to his room after the race. He collapsed on the sofa and hoped to sit in silence for a couple of minutes before having to return to the circus, but the silence was broken by the ringing of his phone. After seeing the caller's name, he can't ignore it.

"Your 'son'..." - Max puts emphasis on the word 'son' - "...the whole parade of drivers terrorized me." He says before Daniel has time to greet him.

"Come on, you look cute in all these photos," Max hears him smirking, but there's something else to it. Max doesn't give himself time to think about it. "And judging by the comments, you're his "dad." Have you called Seb yet? Did he give you a couple of tips for a novice grid dad? I'm sure he knows a couple of great places that serve the best ice cream after a crappy race."

Max blames fatigue after the race and jet lag for his next words.

"We could share custody of Jack, you know? In the end, yes, he has your nose, but the hair is definitely mine."

There is a silence that Max dreamed of, but which he now hates. He hears Daniel's short laugh, wants to know what's in his head right now, hates not hearing him, hates not seeing him most of all.

"Um...you know...such issues are worth discussing personally. Maybe...Maybe you'll come to my farm and we'll... distribute our parental responsibilities?"

"Just buy a normal beer, I won't drink that donkey urine anymore."

"Come on, it can't be worse than sweaty champagne from a shoe."

[ranticore]

Hii 🥰 I love your art so so very much and it's inspired me to start drawing again after about a year and a half of nothing. I was wondering if you could do a quick explanation of how you draw creature heads? Even with skull references and stuff I'm having troubles particularly with the eyes / eye placement and cheek areas

hi thank you, i'm happy you've gotten drawing again. i try not to make fully drawn 'here's how i do x' tutorials anymore since realising that i would just be training people to replicate my mistakes and photos really are the best reference

however not many people know HOW to use photorefs so i will show you this thing i made for someone else who asked a similar question in my dms once. step 1 is to discard any hangups you might have about tracing. professionals trace. it's fine.

for an example of what i mean when i say drawn tutorials just teach you how to replicate mistakes: i got the knee visibly wrong in my drawing here lol. but for a guide you get the idea. you basically want to put on x-ray goggles when you're looking at photos. you want to be able to see through the animal and understand 1. the axial skeleton [skull, ribs, spine] first and 2. the appendicular skeleton [pelvis, limbs] secondarily. you want to understand it in a 3D space - see how in my traced sketch, I have blocked out the ribcage as a solid form using contour lines which describe a curve. i didn't draw every individual rib, there's no need. don't get bogged down in the weeds, this drawing should take like 5 minutes max

the reason we are tracing and not just closely referencing is because this saves us from also having to worry about getting angles & proportions right. we will worry about those later. for now we are gaining understanding of how a body is formed without the pressure of having to get it 'right'.

okay so you asked about heads in particular so we'll look at heads. in the thingy above you can see that i traced a kite shape onto the front of the cranium before filling in the snout.

it's a canine and not super interesting but i think they show really well what goes on with the frontal bones. the cheek bones form the two lateral points of a kite shape.

if you start your sketch at the kite shape you can turn it in space

what you are looking for is the kite. the kite is not flat. the kite is the front of the cranium minus the nose/snout etc, it is laid out over a curved surface. you will find the eyes along the horizontal line and the cheekbones tucked under the bottom faces of the kite. the snout/nose/etc emerges from the crosshairs in the middle and the cheekbones follow the outer edge of the kite, but not the jaw. this is how i construct all my faces, human or animal doesn't matter it's all this underneath. using it i can visualise the hidden parts of the face such as the obscured cheekbone

try to find as many different types of animal or human heads as possible and trace the kite onto them. then you will see

[zekescherries]

﹒ LEFT BEHIND! ﹔ ft ＃ zeke yeager ﹐ 🍒 ﹒　　 ׅ 　

CONSPECTUS﹕a living reminder of what he sacrificed, of what he left behind in pursuit of a "saving" opportunity for the eldian people.

PAIRING﹕zeke yeager × female!reader ﹒ post-rumbling

CHAPTER(S)﹕previous ﹒ next

CONTENT WARNING﹕pregnancy & childbirth (mentioned) + grieving + single-parenthood + slight ptsd + dead!zeke + dark themes + pet names (zeke calls you peach) (i know not everyone is for pet names) + intentional lowercase & more as the story progresses

the walk home is silent. veil is a smart girl, especially for her tender age. you won't be able to hide the truth from her forever. you always remind yourself of that but the pain is still so fresh.

on the other hand, you should let reiner or pieck look after veil when you're unable. just to avoid yelena at all costs. she's the reason why veil is asking about zeke after all.

"to your room, please, veil." you ask of her, closing the door behind you. setting her bag down next to the carpet. veil's expression is sorrowful and guilty but she doesn't say anything in protest.

"okay. . ."

shame casts over you while you walk up the stairs, the creeping of the stairs almost pushes you to the edge. every time you think you're over him, something pushes you back. he basically abandoned everything, just for that one goal.

you wonder if anything else mattered to him.

tears fill your eyes, you can't help but let them flow freely. "zeke, you. . .selfish asshole."

"i hate you, i hate your guts. . .i really do hope you're burning in whatever hell you're in."

you don't really mean that. how could you, after everything?

.

.

.

.

veil sits up in her bed, not even asleep. not like you expected her to magically fall asleep. "veil. . ." you lay a hand on her shoulder, sitting next to her. her bed dips at your added weight, you take a moment to look around her room, decorated with toys and unopened gifts from her last birthday. blankets and clothes made by hand for her by mrs. annelie.

she was blessed with people who loved her. who cared, who wanted to see her thrive. some aren't so lucky.

"here." you open your hand in her lap, revealing a small folded up old, thinning photo.

veil's eyes widen, the silver glint of her irises practically glow at the sight of the outdated family photo. a man, a woman, it seems and a little boy looking similar to herself. "that's zeke." you let her take it into her hands, pointing at the boy in particular.

"he's your papa." zeke's pale skin and glassy, platinum eyes are almost visible in the picture despite it not having much color. you remember it well, veil mirrors him to the t.

"and that's your grandpa. . ." a man with a prideful face, young and handsome.

veil nods at your every word, her own finger rubbing over dina's face. "is that grandma?" she asks, squinting to get a better look at the woman, her face fading due to the age of the picture.

it looks rough, many have held it but veil will be the one to keep it.

"yeah. . .i never got to meet her myself." you confess with a small laugh.

your arms instinctively wrap around veil, shuffling her into the comfort of your lap. rocking her gently, back and forth and feeling her body relax against yours as she stares at the photo.

"will i ever see papa?" she asks, her voice saddened; she already knows the answer.

"no,"

"but i'm sure if he were here. . .he'd love you. more than anything."

© zekescherries , 🍒

[palossssssand]

Kinoga's squad picture, taken a year after the group was formed.

[reminiscentrainclouds]

Daily yttd art day 10! They are NOT appropriately dressed for the beach.

[greenbirdtrash]

Lowkey wanna redraw that one Quorthon pic with Mary

...would that be cool or what

[stardust-moth]

In order to fully understand why it was so hard for Mike to express how deeply he loves El, and why his speech at the end of season 4 was one of the biggest, most important moments for his entire character, we need to look at not just who Mike is as a person, but also everything that has happened since he met her.

Every single time he opens up his heart to her, something horrible happens to her or she's taken away from him almost immediately afterwards.

1x08; he's an awkward little ball of feelings that are way too big for a boy so young. He makes a nervous attempt at confessing and asking her out on a date; when he can't find words that she'll understand, swoops in for a kiss instead. She lights up immediately and smiles. It's a brief moment of hope and pure happiness. Maybe they can have some semblance of a normal life and be normal kids after this is all over.

Minutes later, all hell breaks loose-- they're almost shot, El pushes herself too far until she can barely move, she's almost taken away by the Bad Men, the Demogorgon appears, and she uses the very last of her strength to sacrifice herself to save him and their friends.

He has to watch helplessly as she disappears.

He spends a year caught between believing she's dead and hoping she's still out there somewhere (but if she is alive then why won't she talk to him anymore...?). Kept silent under threat by the lab, he can't confide in anyone or even acknowledge her existence, not with anyone except those involved... but everyone else is keen on moving on and pretending it never happened. He can find some solidarity in Will, at least, who is in a similar kind of emotional turmoil... but it's not the same and it's not enough.

2x9; he is finally reunited with El, and she runs into his arms like she missed him too. She tells him that all those nights he called out to her, she heard him; she was there reciprocating his feelings the whole time.

In a burst of emotions that he's been forced to suppress for an entire year, he lashes out at the reason they've been kept apart (Hopper), screaming and sobbing. It's a massive catharsis for him, and for once an adult is understanding enough to hold him and not punish him for it.

Minutes later, she is going to go headfirst into a pit of monsters, the place where Mike had just firsthand witnessed dozens of people (if not more) get ripped to shreds only hours earlier, and she is going to attempt to close the Gate-- a feat that he knows may take every ounce of her power, just like last time. He cries. He can't lose her again. She promises he won't, and before she can seal that promise with a kiss, they're pulled apart again.

He has to watch helplessly as she drives away.

3x1; all seems to be okay now. He and El are happily together, and he feels comfortable enough to be playful, romantic, and intimate with her. It's the most emotionally open we've ever seen Mike thus far.

For reasons he can't understand (bc there's no way Hopper explained himself beyond "I'm in charge so do as I say or else"), Hopper is angry about it and threatens to never allow him to see her again: the one thing he fears most.

He panics big time and fucks it up in the process by lying to her. During a frantic attempt to apologize while also abiding by Hopper's rules, he runs into her at the mall. He panics again-- if anyone finds her here, and knows that he was here too, it's all over, and Hopper surely won't hear reason. El dumps him cold on the spot, spurred on by Max and her rebellious attitude (and without any context of course). He isn't given much opportunity to respond. He knows he's in the wrong for lying to her, so what could he even say...?

He has to watch helplessly as she drives away.

It's a hard blow, and he retreats back into himself, unable to get any joy out of playing D&D (which he clearly hasn't lost interest in), back to the deadpan sarcasm and accidentally snapping a little too harshly at anyone whom he feels would take El's place.

3x6; no one seems to understand the danger El is putting herself in. Everyone is berating him for worrying about her safety. He's seen firsthand what these monsters do to people, he's seen firsthand how El pushes her abilities too far. No one is listening.

The words "I love her and I can't lose her again" burst out in his desperation, perhaps before he's even had a chance to realize how deep those feelings run, despite whatever protective walls he's tried to build around his heart to keep it from getting broken again.

Soon after, all hell breaks loose. El is nearly killed several times over, her leg is ripped open, she pushes herself so hard that she breaks herself and loses her powers completely. Her father is taken from her. She's shattered by all of this, and there's absolutely nothing he could do or say to make it better.

She tells him that when he admitted he loves her, she heard him, and indeed she loves him, too... But now she's leaving.

He has to watch helplessly as she drives away.

4x1; they've been apart for a few months, and write letters back and forth to each other. El's letters paint a picture of an ideal new life: she and the Byers family are doing well; she's starting school and it's going well; she's made new friends, she likes her new home, everything is going well. She seems to be thriving. She sounds happy, maybe even happier than she had been living in Hawkins. Maybe Max was right, maybe she's better off being her own person without him, and maybe the respectful thing to do is step back... It's a small insecurity that creeps up subconsciously. In his replies he holds back, afraid of clinging too hard.

Though there's little logic in it, he's afraid that if he tells her he loves her again, another disaster might strike and this lovely happy life she's finally found might get taken from her. After all, that's what always seems to happen when he does.

4x2; after months of waiting, they can finally see each other again. He wears her favorite colors, picks a handful of flowers for her, and falls happily back into step with how they used to be. Soon that same day, however, reality becomes clear and the facade crumbles. People he was told were her friends show up to torment and publicly humiliate her. She had been lying. She isn't happy here, she hasn't healed, she is right at the edge of a breaking point that he doesn't see coming at all. He can't believe she would lie to him, she's not the kind of person to lie... especially not about something like bullying, something that she was always so understanding about with him.

On that logicless subconscious level, he wonders if it's all his fault-- he should have known somehow, he should have been there for her. She protected him from his bullies, he should have protected her from hers. He tries to come to her rescue. She runs away from him.

He's helpless to save her, again.

4x3; after a night to process everything that happened-- and deciding that the betrayal he feels from her lying to him is nothing compared to the turmoil she must be going through right now-- Mike approaches her in the gentlest way possible, wanting to listen and trying to understand. El, however, isn't receptive at all to his attempts at reassurance. She is at an all-time low, she's given up. She believes she is unlovable, irredeemable, a monster, just a thing that doesn't even have those superhuman abilities to compensate anymore. Mike can't believe what he's hearing-- doesn't she know that she's always been so much more than her powers? She's always been so much more than what she lacks in quote-unquote "normalcy"... None of those things matter, they have absolutely no bearing on whether she's worthy of being loved, because he loves her, completely regardless of any of these things. He always has...

El starts flinging his restrained words back at him, the products of his insecurity and trauma-induced fear. That fear takes hold yet again, and he stumbles, afraid of saying too much or not enough, because surely both could result in pushing her away-- she's retreating, hearing none of it; nothing he tries to say consoles her.

Moments later, local police come knocking. She's taken away in cuffs, and she's so broken inside that she won't even look at him when he chases the police car down the street and promises he'll get her out somehow...

Once again, he has to watch helplessly as she drives away.

4x8/4x9; after days of driving through the heat and dryness of southwest desert, having narrowly escaped being shot at with military-grade assault rifles, witnessing the death of and burying a man whose last words were that El is in danger... After watching dozens of people get mowed down by a sniper in a helicopter, and watching that same helicopter be smashed into the ground in a ball of flames...

There she is. Just as powerful and beautiful and alive as she's ever been. When he runs to her and embraces her, she looks at him like she can't believe he's real. She's beaming a smile right from her soul and it's like all the insecurity and self-doubt that have plagued them both just vanish from existence now that they're in each other's arms again.

Like always, however, the universe comes crashing down soon after. Max is marked for a gruesome death and all of Hawkins is in danger. They're miles away and helpless, and the only possible way for El to save everyone is if she goes in alone. She's stronger than ever, but so is her foe. Once again, she descends to face all the demons of hell on her own, and Mike can't do anything.

She's losing. She's choking. She's dying. He's helpless.

He must be cursed. He must be. Being with her, loving her, allowing himself to admit he loves her, it always brings only pain and suffering and loss. His heart is so full that it's aching, it's bursting out of his chest, and he can't contain it any longer.

She's going to die and it's going to be all his fault, because he fell in love, and it's cursed her.

Just before it all crumbles into utter despair, the earnest support from his oldest and dearest friend-- one who's always shared and understood his feelings of helplessness-- sparks a light of hope in him: "You're the Heart." You're not helpless. You can save her.

The words that come spilling out of Mike's mouth are truer than any he's ever dared to speak before, and it's the most terrified he's ever been, but he has enough courage for this moment. Despite all of the fears that have been building, stifling, choking him to death for years-- fears that the light of his life will inevitably disappear again, and there's nothing he can do to stop it-- despite it all, he pours out his heart to her.

He loves her. He's always loved her. He loves everything she ever was, is, and could be. He can't imagine a world without her in it. She saved him, in every way a person can be saved. And he needs her to live. He believes in her.

And it works. It's music to her ears.

[fisheito]

emotional support wolf meets too-shy-to-live sneetah

[britneyshakespeare]

this picture of sal vulcano really does have its own sorta je ne sais quoi that not only do i understand why from very early days it has been a staple on impractical jokers but it became a meme outside of that. it's not just like any sort of unflattering pic. it has its own kind of majesty

[fuckthemforthis]

Bojan is nothing but a mosquito Kris could slap into a wall

[skitskatdacat63]

Favorite Martian pics atm

[thefrogdalorian]

I think on this fine Saturday afternoon it's a good opportunity to take a breather and remember that there are really no ethical paparazzi pictures. Every single one is inherently exploitative.

Just because photos were taken on a movie set, when someone is 'working,' does not make the practice any less invasive and creepy. Imagine just going about your day, doing your job and having some weirdo snapping pictures of you to sell without your consent for others to endlessly repost online.

There are thousands of pictures of your favourite actor online already. Plenty taken with his knowledge and consent. I'd really like to see more of them on my dash, rather than the creeper shots.

And don't get me started how disseminating these pictures directly leads to people going to said sets. What starts off as admiring how good someone looks has real world implications.

No, hanging around a movie set and disrupting people doing their jobs is not harmless fun or a way to show your appreciation.

If you hang around a movie set, you are a stalker.

Don't tell me that it's okay to take your online admiration for someone offline. You may admire him but he does not, and will never, personally know you. He will never be your friend/boyfriend/daddy. He is a stranger.

The only way meeting your favourite actor is going to happen is at a convention or maaaaaybe a movie premiere if you're incredibly fortunate. You know, places they appear specifically to meet fans (or not in the case of premieres, where the purpose is to promote a movie. Which is also completely understandable if actors don't stop. You are not owed an interaction).

Of course, you cannot help it if you randomly run into someone you admire in the wild. Even then, consider that they probably won't be all too thrilled to be approached in public by a complete stranger. It's up to you to gauge the situation, but remember there is a person at the heart of all of this.

Boundaries and respect are a kindness which deserves to be extended to each and every human being regardless of their looks/talent/fame/wealth.

Fandoms blur those lines a little too often for my liking and I think just scrutinising what you're interacting with, or what behaviour you could be possibly falling down that slippery slope towards is nice to do every once in a while.

I mean no malice with this post and it is not directed at anyone in particular. It's something I cannot help but feel strongly about because I've seen this destructive cycle time and again in fandoms over the years. It's not healthy and it makes us all a little bit more disconnected from our humanity for it...

[holdmymallowsweet]

4 Stages of photo mode

Stage 1: Just camera position and angle, and time of day slider

Stage 2: Exposure and contrast

Stage 3: Vignette, filter, depth of field

Stage 4: Adjust camera position and exposure

[unproduciblesmackdown]

little shop images....